Urbia, released in 2025, explores the connection between the boundlessness of space, the boundedness of place, and the malleability of self. Its innovation is found in the way, through musical composition and research, it informs our shared present positionality – in an urbanising world, by enquiry into urbanity itself. In short, it reimagines and disrupts the local through unapologetic creative explorations of what Leonard Cohen called “the Great Beyond”.

Originally released in 2004, This Love Will Undo Us All was recently re-released for both familiar and new audiences. Drawing on Shakespeare’s plays and sonnets, it reimagines them through voice and instrumentation – guitar, organ, Fender Rhodes piano, percussion and cello. The tone shifts between intimate and expansive, holding space for both play and melancholy. Across the album, the phrase “let thy song be love” quietly reframes the title for those listening deeply.

Based on collaborative research undertaken between 2020-2023, Crawford On The Hill By The Sea was released in 2025. It gives musical form to the dialogues, memories and silences surrounding Mt Crawford Prison (Te Whare Herehere Matai Moana) in Wellington. Drawing on interviews, archival materials and site recordings, the album reframes the prison’s past as a shared act of listening – one that amplifies voices long unheard.

Released in 2022, this extended single is inspired by the weekly one-hour satellite radio show hosted by Bob Dylan, which originally aired between 2006 and 2009. Theme Time Radio Hour featured an eclectic mix of music, stories, and musings loosely bound by a theme – weather, heartbreak, whiskey. This song borrows that same spirit of collage and quiet wit, tuning into the stray frequencies of city life. Its verses drift through overheard moments and lonely rituals, like fragments of an old broadcast caught between stations.

Putting Shakespeare’s iconic sonnet to music, Shall I Compare Thee To A Summer's Day? was released in 2025, alongside the re-lease of This Love Will Undo Us All. The song layers voice and guitar over an unconventional, playful choir – deconstructed and reconfigured into shifting harmonies that trace the space behind. The lead voice gives form to Shakespeare’s words, while the music holds onto a quiet optimism: that the coming years might still be full of summer’s days, where light and joy reach even the darker corners.

Inspired by a barista whose presence was as irresistible as smooth foam art, Danika (Dub Version) was released in 2025. Blending wordplay with a laid-back Polynesian dub rhythm, it turns everyday café encounters into a slow-burn groove of infatuation. The lyrics trace the jittery charm of small talk over caffeine – “I like you a latte, baby / You mocha me crazy” – while the vocal layering and syncopated pulse mirror the froth and flow of espresso. Both lighthearted and hypnotic, it’s a love song steeped in warmth, wit and Polynesian humidity.