Urbia, released in 2025, explores the connection between the boundlessness of space, the boundedness of place, and the malleability of self. Its innovation lies in how musical composition and research come together to illuminate our shared present positionality. Through this, it turns inquiry toward urbanity itself – what it means to dwell in an urbanising world. In short, Urbia reimagines and disrupts the local through unapologetic creative explorations of what Leonard Cohen called “the Great Beyond”.

Originally released in 2004, This Love Will Undo Us All was recently re-released for both familiar and new audiences. Drawing on Shakespeare’s plays and sonnets, it reimagines them through voice and instrumentation – acoustic guitar, organ, Rhodes stage piano, percussion and cello. The tone shifts between intimate and expansive, holding space for both exuberance and introspection. As a whole, the album considers the many implications of an exhortation issued in Troilus and Cressida: “Let thy song be love: this love will undo us all. O Cupid, Cupid, Cupid!”

Based on collaborative research undertaken between 2020-2023, Crawford On The Hill By The Sea was released in 2025. It gives musical form to the dialogues, memories and silences surrounding Mt Crawford Prison (Te Whare Herehere Matai Moana) in Wellington, New Zealand. Drawing on interviews, archival materials and site recordings, the album reframes the prison’s past via evocation and provocation. advocating for radical listening to long-silenced carceral voices.

Released in 2022, this extended single is inspired by the weekly one-hour satellite radio show hosted by Bob Dylan, which originally aired between 2006 and 2009. Theme Time Radio Hour featured an eclectic mix of music, stories and musings loosely woven into an intricate vision – of nighttime in a city of dreams, themes and schemes. This song borrows that same spirit of collage and quiet wit, tuning into the stray frequencies of city life. Its verses drift and flit through stolen moments and solitary rituals, like fragments of broadcasts emerging from a faulty radio lurching between stations.

Putting Shakespeare’s iconic sonnet to music, Shall I Compare Thee To A Summer's Day? was released in 2025, alongside the re-release of This Love Will Undo Us All. The song layers voice, bass, electric guitar and drums over an unconventional, playful choir – deconstructed and reconfigured into harmonic textures that define a spaciousness surrounding the song. The lead voice embodies the emotional resonance of Shakespeare’s words, while the music holds onto a quiet optimism: that the coming years might still be brimming full of summer’s gifts, where light, warmth and joy reach even the darkest of corners.

Inspired by a barista whose essence was as irresistible as smooth foam art, Danika (Dub Version) was released in 2025. Blending wordplay with a laid-back Polynesian dub style, it imbues everyday café encounters with a whimsical groove of desire. The lyrics trace the jittery frivolity of self-conscious protestations of infatuation – “I like you a latte, baby / You mocha me crazy.” Both life affirming and hypnotic, it’s a love song steeped in warmth, wit and Polynesian humidity.